Gaudi and Overexposure

I am in a Wes Anderson movie;
everything is floating underwater.
Seashell curvature of the ceiling,
lighthouse banister mount,
carbuncular chairs polished
like stones riding ocean waves,
adrift in the modern-postmodern,
surrealist Breton nightmare,
patchwork pastiche and
the light flitting down the chimney stacks,
which are designed to optimize exposure.

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